Category: Politics

December 6th, 2009

American Narrative’s Root Problem

I’m sick of mainstream media in the United States. Articles about controversial topics, especially global and religious beats, are obviously biased as the worldview of one nation, one that filters information through the common values and experiences of citizens in a secular democracy. So, then, why has media become the problem?

Some say the problem is there is no “our” experience and the national narrative is flawed. I believe that traditional media and global issues bloggers have been the mainstream voices saying this. Their concern is improving objective journalism and their experiences reading and interacting online with a global, independent media network has brought the guilty verdict home. Instead of telling a new story, these writers blame the concepts and labels that blinded writers and readers from connecting themselves with the real story in coverage.

I think we would pretty much agree this is not news, it’s more like watching the media is catching up with itself. If it makes me wonder how one of the most prolific American global thinkers like Thomas Friedman are just now discounting the traditional narrative for excluding real American experiences and that the public has a fractured identity, then I have to question his perspective and let the American narrative go as a cohesive story.

To lay it out clearly, maybe he finds Islam and Muslims to be a good narrative to use because like Americans, Muslims around the world have no one culture, race, background. There really is no such thing as a typical Muslim. It never has been that way for Americans either and if that’s the way he has seen it in the past, I think we should consider the popular appeal of his last published works about the future of the modern world.

Perhaps this the story is not being based not in bad journalism but dysfunctional politics. Maybe the responsibility rests on a public that is blaming traditional journalism or giving slack or even ignoring the intellectual development of social media and blogging as the future mainstream narrative. The first point involves people attacking old school media for it’s obvious struggle with objectivity and covering those mistakes without being self-critical of the way those stories reflect the bias of their own identities. The second is not leaving comments or thinking about online community as a virtual but also politically viable conversation.

For the sake of the future of media, I think the mainstream should go ahead and let go of pointing a finger at the root problem. Leave that coverage to social media and bloggers with different perspectives because they have a better pulse on the American public. Seriously, pay better and more attention to news from the people who actually live here. Prolific global thinkers like Friedman may miss the entire point by moving around and getting better informed about the new world. Perhaps first we need to know how in many situations there’s nothing new about historic change at all.

Perhaps the historic change in America is a return to the birth of this country, a time when the “new” world was here. This wasn’t because it actually was new and there were obvious consequences to building a political system in this country on the foundation of this worldview. There were of course people already here and most were tragically pushed to the outside of Western civilization, a peoples to be studied and taught to be like “us.” I’m sick of what this has become – objective thinking about media and the world without the media informing the public with any constructive sense of self-awareness.

What’s the problem? Well, I think it’s awareness in general. There are a lot of issues here that people feel need to be brought to light. Mostly this is done by white people probably because history has been written mostly by white men who over the generations became gradually aware the legacy crippled civilization’s ability to evolve. The story’s setting has become dysfunctional. Everyone who actually lives out the part of history that was not included just sigh and ache to move on. Sometimes letting go is an act of power greater than hanging on to oppression and marginalization.

Bringing new found “awareness” to these issues and their absence in the American narrative is an act of power over the people who lived them and carry their memories inside from past generations’ stories. The failure of mainstream media is not knowing what questions to ask or what stories to follow. They report on the extremes. Instead of being self-critical, reporters are often critical of the entire industry. I think the only real criticism of the industry is that it’s a waste of money for readers.

Perhaps the problem with journalism is reporters have to admit when coverage is a waste of time as well. If there’s a root problem in any of this, it’s for the American public to articulate. The access to information online is more democratic than the political environment right now. In order to re-think America’s role in the world and move on, perhaps we have to let go of objective journalism and let Americans tell us how America’s narrative has changed – rather than depend on national events like September 11, 2001 define the narrative as obviously messed up. Actually, I think the latter is especially the reason to do so.

October 1st, 2009

Creative Mistakes and Social Music

In a post about the new iTunes LP covered here by Ars Technica comes the day after I tweeted about the label that’s been in the back of my mind since high school. There’s an official name, but the crew haven’t gotten there. It takes time to get people on the same page across three time zone using social media to touch base. Music, openness on the web, are both in the movement stages. The rules are new, the old ones took time to break, and now the whole mess might take longer to re-build.

I would pick up and leave or even dial the phone but the experiment and my role is to figure out how to connect the dots online. Since we have to keep up with the pace of change in music biz and on the Internet, the start-up grind happens at a Hampster dance tempo or the work is double the load.

Creative flow chart behind the new iTunes LP:

itunes

While a picture is nice and all:

Music is an experience too and isn’t online. I exit yor flow chart like I exit the freeway.

Paying to basically play around with the back-end of a blog post about music in iTunes is not adding any value to my day but more time online. The main problem I have with this is artists get inspired and create music, they don’t usually think about the experience in flow charts and diagrams and this isn’t how sound engineers think about music either.

A hip-hop artist doesn’t get attention or the mic for long if they don’t do their homework on the best and greatest artists before to keep an audience. Punks have nothing without a new message. Pop musicians mimic past icons and builds upon style and culture with innovation. You get the idea. If the point is a creative experience, then the artist should matter more than ads, mistakes, and failures online.

There’s a Fugee’s reference tucked in there to bring the point home. Artists know the genre and context and share it as well as express their story, message, heart, soul or whatever inspires them with listeners. The new context, if there’s one online, then inspires the music andgives the creative experience to customers in return.

The music and sound mean more at shows and online if people get jazzed on their own – the cool junk you see and sell matters but not as much as the people who are on stage. If fans create new content, participate in crowsourcing, and share in remix culture before a performance and geek out like real artists online, given the choice, they might want to make more than killer playlists as a virtual DJ on Blip or play pretend rockstar online.

I’ve met meet musicians this way but never had an experience with online media the other way around outside of a studio or the radio station. Online musicians don’t perform for listeners but can inspire them to pick up a mic too – share music with friends, videos, and blogs. We don’t need a stage or plan or network online, we need to build a bridge between cultures. We have to find a place in the music industry where genres intersect and bring new creative experiences online.

September 27th, 2009

Heroina Collage

I made this collage for a friend Pady Cakes. I started by juxtaposing the top and bottom pictures, a real life version of the lower comic. In it’s entirety, the piece is about women, identity, and the complications of being a female hero. There are many images but they make real-life acts acts of greatness slight in comparison. The chaos of this collage is meant to represent the complicated mess of perceptions inside a woman’s head, mostly this lady’s head, and the perceptions the world has of strong, spirited, visionary females.

September 19th, 2009

Cultureal Sindicate: Taqwacore

I started thinking and writing about Taqwacore after someone at UW-Madison sent me an article from The Los Angeles Times titled “The Koran, punk rock and lots of questions.” At the time, I was blogging for a project called Inside Islam, a new media collaboration between Wisconsin Public Radio and UW-Madison and set out to find some answers. After a couple of months of research, I started talking with Imran Malik, drummer for The Kominas, on Twitter, and I wrote a follow-up post based on the conversation and other articles which also described Taqx as a concept called “punk Islam.”

From then on, I had my eyes peeled for people talking about Taqwacores and found a crew on Twitter. One of the crew is a guest blogger for Mideast Youth Daniela Kantorova. Here’s a set of photos she shared online with us from a Kominas show in Oakland this summer.

My friend and co-host Britny once said that, “Twitter is basically the most punk thing on the internet.” I agree, but I also think of it as the Red Light district for ideas, a place to be open and share thoughts, regardless of how polished and complete they are. For that reason, I think it’s the perfect place for working through a more coherent understanding of Taqwacore with a bunch of different people. It has become a starting point for tour dates, a place to share blog posts and now radio shows as well. Twitter shifts the #taqwacore flag from mere concept to fluid conversation among people across the US.

The #taqwacore hashtag is a way to mark tweets about bands and events in the scene, but it has also become a way to note where we’re breaking down a concept or abstract idea about culture or politics with references and thoughts related to Taqwacore. I could be talking about Nirvana and tag it with #taqwacore so that people know I’m making the connection.

It’s also connected me with others and given me an informal way to share my perspective. The conversations I’ve had about it in real life were mostly with my mother, Ellen Foley, a Pulitzer prize finalist and journalist for the past 30 years. Not that these credentials mean much, but it is the background I inherited and how I approached the whole movement at first. Actually, that’s kind of the point of using Twitter. Taqx have inverted the way I get information from top-down to bottom-up.

The bottom line is that telling the story of Taqx has never been a perfect process, and I’ve had to bring lots of other people into the conversation – interfaith leaders, journalists, other Kominas, my mom, and whoever else is willing to talk. In my mind, it’s a new story to be told whether or not it’s a woman, man, musician, journalist, or photographer articulating or tweeting what’s important. With any other subject the “who” would matter, but in Taqwacore we’ve taken our own roles.

For this show, we took the conversation offline and talked with Imran and lead singer of The Kominas, Basim Usmani, on air. We had a great time talking about Taqwacore music, social media, Mos Def, and life imitating art. To close this post, all I’ll say is I do hope we have more shows on Taqwacore and I’d like to point to The Los Angeles Times again since they had arguably the best article about Taqwacore I’ve read to date with “Nevermind the Islam: The Kominas are Punk” by Raja Abdulrahim. The title has two, count ‘em, two punk references! Rock.

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Click on the player above to listen to the show.

Show Playlist

1. Sharia Law in the USA by The Kominas
2. Teree Aisee Ke Tesee by The Dead Bhuttos
3. Miskeen by Al-Thawra
4. Chaku! by The Kominas
5. An audio piece by Micropixie
6. A Dog Called Ahkira by The Kominas
7. Evil Eye (Acoutastic) by Sarmust
8. Par Desi by The Kominas
9. Poppi Fields by Vote Hezbollah
10. Kane’s Injection – Guns & Dogs by Portugal. The Man

September 16th, 2009

Women in Taqwacore and Twitter

For background’s sake, I started thinking and writing about Taqwacore after someone at UW-Madison sent me an article from The Los Angeles Times. At the time, I was blogging for a project called Inside Islam, a new media collaboration between Wisconsin Public Radio and University of Wisconsin-Madison, during a year-long appointment as online community leader. A couple of months after I wrote a follow-up post based on my research after reading the article, which called Taqx “punk Islam,” and talked a bit with Imran Malik from The Kominas on Twitter. I found him there when he was tweeting with a mutual friend at Harvard.

From then on, I had my eyes peeled for Taqwacores on Twitter and realized as my friend Britny did here in Madison (who’s not Muslim either but a total punk) that “Twitter is basically the most punk thing on the Internet.” I agree but I think of it also as the Red Light district for ideas, a place to be open and share thoughts, regardless of how polished and complete the thought is. For that reason, I think it’s perfect for working through a more coherent understanding of Taqwacore between a bunch of people, or at least that is what it has become to me. It’s a starting point for tour dates, blog posts, and radio shows now too, as well as a way to share them with each other under the #taqwacore tag.

As for the hashtag scene, I’ll keep it brief and finish with my thoughts about gender because it’s role is not really unique to Taqwacore. It’s a way to mark tweets about the bands and events but also has become a way to mark tweets where we’re breaking down the concept or abstract idea with references and thoughts related to it. I could be talking about Nirvana to use an actual example in a tweet and tag it with #taqwacore so that people know I’m making the connection.

As far as the participation of women in Taqx, which is a big question and an open one in my mind, I’m sure that Twitter is important but I’d have to think some more about the significance.

In my mind, it’s mostly a new media tool. I didn’t know much about punk music or visit any kind of scene until after connecting with people on Twitter. Media is my background and it’s how I’ve approached understanding Taqx. The conversations I’ve had about it in real life were mostly with my mother Ellen Foley, a Pulitzer prize finalist and journalist for 30 years. Not that these credentials mean much, it’s my big picture perspective that got me here anyway, but it is the background I inherited and how I approached the whole movement at first. Actually, that’s kind of the point of using Twitter, Taqx has inverted the way I get information from top-down to bottom-up, it’s connected me with others, and given me an informal way to share my perspective. There’s a connection here with the book and self-publishing that maybe that’s something to explore. I haven’t yet but it’s been on my mind and anyway, that’s getting a little off topic a little.

To answer the role of gender question for Twitter, telling a story about Taqx has never been a perfect process and I’ve had to bring lots of other people into the conversation – from interfaith leaders, to journalists, to other Kominas, to my mom, friends, and whoever else was willing to talk. In my mind, it’s a new story to be told, whether or not it’s a woman or a man telling it and whether or not it’s a musician or journalist or a photographer articulating what’s important to add or even tweet. I think with any other subject it would matter but in Taqwacore we’ve kind of taken our own roles.

July 6th, 2009

Creative Agency

The New York Times published an article about graduates underachieving.

I don’t agree at all with defining either generations by parenting trends. There are myths of achievement that vary by cultural, ethnic, hippie spectrum, or whatever identity is handed down. Just watch an episode of Wife Swap. We aren’t defined by kids who did go to college, graduate, even though a lot did and considered it an accomplishment. I wish it was a bigger deal than a ceremony.

Who are these guys? Not my friends. We weren’t all all-stars in high school and to be honest, we were just serious about being ourselves, even if that meant wearing overalls every day of Junior year. I love them for letting me not think about fashion. I intervened when it was time to care and I’m still not really into fashion.

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June 15th, 2009

White Lies, Black Sheep

A new genre of drama-documentary as defined by James Spooner:

He also directed the documentary Afro-Punk.

June 10th, 2009

Here’s the Deal: There’s a New Deal

Today I changed the name of this blog. “Here’s the Deal” was actually a place holder until I figured out whether or not blogging was worthwhile. The amount of time I spent on the Internet this past year has been unreal but necessary to launch another blog and online community for a new media project about Islam.

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June 9th, 2009

Angels and Demons


Life is epic right now and there are a lot of changes going on in the world, not to mention drama. Drama can be also entertaining though. We can find change illuminating but also disappointing. It’s hard to see the humor sometimes because the way we see it happening is limited to one culture. Media coverage, then, can cover it up. This is very meta but I’m talking about a movie and art, as such, is profound when it imitates life.

Case and point: Angels and Demons.

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June 8th, 2009

Here’s the New Aesthetic

The issue, quoting Adbusters, is such:

We can’t explore the possibility of developing a new aesthetic until we answer the question of what, if anything, will be the unifying philosophy of our age. If, as Plambeck has suggested, we are destined to be a culture that measures success through a tally of Facebook friends and blog hits, then we have no impetus to collectively tap an undercurrent of meaning and truth. We will be content to live in a world of appearances, virtual successes and hollow forms.

No, no, none is letting that happen.

Yesterday, I posted this question. Beyonce asks: “Where your boss at?” and here are all posts about Nietzsche who is included in the photo. If you’re still feeling empty, the “weird kids” in my generation and our gathering force to mosh to the anthem of our own.